Art theft Totally Explained

Everything about Art Theft totally explained

Art theft is the theft of art. This is usually done for the purpose of resale or ransom; occasionally thieves are also commissioned by dedicated private collectors. Stolen art is also often used between criminals in an underworld banking system as collateral for drug and weapons deals, or to barter for those items.

Individual theft

Many thieves are motivated by the fact that reasonably valuable art pieces are worth millions of dollars and weigh only a few kilograms, at most. Transportation is also trivial, assuming the thief is willing to inflict some damage to the painting by cutting it off the frame and rolling it up into a tube carrier. While most high-profile museums have extremely tight security, many places hosting multimillion dollar works have disproportionately poor security measures. That makes them susceptible to thefts that are slightly more complicated than a typical smash-and-grab, but with huge payoff. However, because the ownership of high profile art is easily tracked, potential buyers are very hard to find. Typically, a thief will steal a work, only to find out that there are no buyers. For the same reason, the stolen piece can't be put on display publicly, which essentially defeats the purpose of having it. Unfortunately, while no thief can hope to get the actual value of the stolen work, even as little as 5% of the real value can be worthwhile for the thief. Most art is resold at auction houses; major reputable houses such as Sotheby's or Christie's demand proof of art ownership before listing. Many lost art pieces that become found and sold at auction have later been exposed as forgery or imitation.
A likely scenario in famous art theft is "theft for hire" or similar situations in which buyers have already been found. Some buyers may enjoy possessing famous art secretly. Fossil theft is an easier form of purchase as identification techniques are not as well established as art theft.

State theft, wartime looting and misappropriation by museums

Because antiquities are often regarded by the country of origin as national treasures, there are numerous cases where artworks (often displayed in the acquiring country for decades) have become the subject of highly charged and political controversy. One prominent example is the case of the Elgin Marbles, which were removed from Greece to the British Museum in 1816 by Thomas Bruce, 7th Earl of Elgin. Many different Greek governments have maintained that removal was tantamount to theft.
   Similar controversies have arisen over Etruscan, Aztec and Italian artworks, with advocates of the originating countries generally alleging that the removal of artifacts is a pernicious form of cultural imperialism. Yale University's Peabody Museum of Natural History is engaged (as of November 2006) in talks with the government of Peru about possible repatriation of artifacts taken during the excavation of Machu Picchu by Yale's Hiram Bingham.
   In 2006, New York's Metropolitan Museum reached an agreement with Italy to return many disputed pieces. The Getty Museum in Los Angeles is also involved in a series of cases of this nature. The artwork in question is of Greek and ancient Italian origin. The museum agreed on 20 November 2006 to return 26 contested pieces to Italy. One of the Getty's signature pieces, a statue of the goddess Aphrodite, is the subject of particular scrutiny.
   From 1933 through the end of World War II, the Nazi regime maintained a policy of looting art for sale or for removal to museums in the Third Reich. Hermann Goering, head of the Luftwaffe, personally took charge of hundreds of valuable pieces, generally stolen from Jews and other victims of genocide. Members of the families of the original owners of these artworks have, in many cases, persisted in claiming title to their pre-war property. In 2006, title to the gilt painting Portrait of Adele Bloch-Bauer I, by Austrian artist Gustav Klimt, was restored to Maria Altmann, an heir of the prewar owner. Provenance in this case was easy to establish; Bloch Bauer, the subject of the painting, was Altmann's aunt. Altmann almost immediately sold the painting at auction and it was resold to Ronald Lauder for $135 million. At the time of the latter sale this was the highest known price ever paid for a painting.

Famous cases of art theft

Last Judgment triptych by Memling (1473)

A highlight of Early Netherlandish painting was stolen several centuries prior to the later theft of two panels from the Ghent Altarpiece in 1934: Hans Memling's Last Judgment altarpiece was commissioned in 1467, and was to become the central art piece in a de'Medici chapel in Florence. The ship transporting the painting in 1473 was looted by a "pious" pirate, offering the painting to the Gdansk cathedral. Although authenticity is undoubted, the story is plainly documented, and the now-priceless painting is one of Memling's greatest masterpieces, some catalogues of the painter's work scarcely mention it. Negotiations with the city of Gdansk to restore the theft keep failing. Nonetheless, the triptych was temporarily shown at a Memling exhibition in Bruges, celebrating the 500th anniversary of the painter's death. The case is famous because it allotted the receivers of the stolen goods not only the profit of owning the art work, but also the profit of copyright-like earnings (for example when lending it for expositions or photography), without needing to make any expense for hiding its whereabouts, over an extended period.

Gainsborough's The Duchess of Devonshire (1878)

In 1878, burglar Adam Worth stole Gainsborough's The Duchess of Devonshire from London art dealers Agnew & Agnew, which he used to negotiate the release of an accomplice from prison. However, as Worth's friend had already been freed, he demanded a ransom instead, which would finally be negotiated for an undisclosed amount in 1901.

The Mona Lisa (1911)

Perhaps the most famous case of art theft occurred on August 21, 1911, when the Mona Lisa was stolen from the Louvre. French poet Guillaume Apollinaire, who had once called for the Louvre to be "burnt down," came under suspicion; he was arrested and put in jail. Apollinaire pointed to his friend Pablo Picasso, who was also brought in for questioning, but both were later exonerated.
At the time, the painting was believed to be lost forever, and it would be two years before the real thief was discovered. It turned out that Louvre employee Vincenzo Peruggia stole it by simply walking out the door with it hidden under his coat. Peruggia was an Italian patriot who believed da Vinci's painting should be returned to Italy for display in an Italian museum. Peruggia may have also been motivated by a friend who sold copies of the painting, which would skyrocket in value after the theft of the original. After having kept the painting in his apartment for two years, Peruggia grew impatient and was finally caught when he attempted to donate it (or perhaps sell it) to the directors of the Uffizi Gallery in Florence; it was exhibited all over Italy and returned to the Louvre in 1913. Peruggia was hailed for his patriotism in Italy and only served a few months in jail for the crime. Several high profile cases have made headline news on the international scene. Most notable was the case of the Kanakaria mosaics, 6th century AD frescos that were removed from the original church, trafficked to the USA and offered for sale to a museum for the sum of US$20,000,000. These were subsequently recovered by the Orthodox Church following a court case in Indianapolis.

The Gardner Museum (1990)

The largest art theft in U.S. history occurred in Boston on March 18, 1990 when thieves stole 13 paintings, collectively worth $300 million, from the Isabella Stewart Gardner Museum. This included Vermeer's The Concert and three Rembrandts (including his only seascape The Storm on the Sea of Galilee). To date, these paintings have not been recovered, but a reward is still offered for information leading to their return.

Mather Brown's Thomas Jefferson (1994)

While being stored in preparation to be reproduced, the portrait of Thomas Jefferson painted by artist Mather Brown in 1786, was stolen from a Boston warehouse on July 28, 1994. Authorities apprehended the thieves and recovered the painting on May 24, 1996 following a protracted FBI investigation.

Cooperman Art Theft hoax (1999)

In July 1999, Los Angeles ophthalmologist Steven Cooperman was convicted of insurance fraud for arranging the theft of two paintings, a Picasso and a Monet, from his home in an attempt to collect $17.5 million in insurance.

The National Museum of Fine Art (Nationalmuseum), Stockholm, Sweden (2000–2005)

One Rembrandt and two Renoirs were stolen from The National Museum of Fine Art in Stockholm, Sweden, when three armed thieves broke into the museum and were able to flee in a boat moored in front of the museum. By 2001 the police had recovered one Renoir, by March of 2005 they'd recovered the second Renoir in Los Angeles and in September they recovered the Rembrandt in sting operation in a Copenhagen hotel.

Stephane Breitwieser - The "Art Collector" (c. 2001)

Stephane Breitwieser admitted to stealing 238 artworks and other exhibits from museums travelling around Europe; his motive was to build a vast personal collection. In January of 2005, Breitwieser was given a 26-month prison sentence. Unfortunately, over 60 paintings, including masterpieces by Brueghel, Watteau, Francois Boucher, and Corneille de Lyon were chopped up by Breitwieser's mother, Mireille Stengel, in what police believe was an effort to remove incriminating evidence against her son.

Russborough House (1974, 1986, 2001, 2002)

Russborough House, the Irish estate of the late Sir Alfred Beit, has been robbed four times since 1974.
   In 1974, members of the IRA, including Rose Dugdale, bound and gagged the Beits, making off with nineteen paintings worth an estimated £8 million. A deal to exchange the paintings for prisoners was offered, but the paintings were recovered after a raid on a rented cottage in Cork, and those responsible were caught and imprisoned.
   In 1986, a Dublin gang lead by Martin Cahill stole eighteen paintings worth an estimated £30 million in total. Sixteen paintings were subsequently recovered, with a further two still missing to this day (2006).
   Two paintings worth an estimated £3 million were stolen by three armed men in 2001. One of these, a Gainsborough had been previously stolen by Cahill's gang. Both paintings were recovered in September 2002.
   A mere two to three days after the recovery of the two paintings stolen in 2001, the house was robbed for the fourth time, with five paintings taken. These paintings were recovered in December 2002 during a search of a house in Clondalkin.

Frankfurt art theft and "Operation Cobalt" (1994-2003)

Three paintings were stolen from a German gallery in 1994, two of them belonging to the Tate Gallery in London. In 1998, Tate conceived of Operation Cobalt, the secret buyback of the paintings from the thieves. The paintings were recovered in 2000 and 2002, resulting in a profit of several million pounds for Tate, because of prior insurance payments.

Edvard Munch works (1994, 2004, and 2005)

In 1994, Edvard Munch's The Scream was stolen from the National Gallery in Oslo, Norway, and held for ransom. It was recovered later in the year.
On 22 August 2004, another original of The Scream was stolen—Munch painted several versions of The Scream—together with Munch's Madonna. This time the thieves targeted the version held by the Munch Museum, from where the two paintings were stolen at gunpoint and during opening hours. Both paintings were recovered on 31 August 2006. Three men have already been convicted, but the gunmen remain at large. If caught, they could face up to eight years in prison.
On 6 March 2005, three more Munch paintings were stolen from a hotel in Norway, including Blue Dress, and were recovered the next day. On 31 August 2006, 'The Scream' and 'The Madonna' were recovered relatively undamaged.

Saliera

On May 11, 2003, Benvenuto Cellini's Saliera was stolen from the Kunsthistorisches Museum in Vienna, which was covered by a scaffolding at that time due to reconstruction works. On January 21, 2006 the Saliera was recovered by the Austrian police.

Jacob de Gheyn III

Rembrandt's Jacob de Gheyn III has been taken four times, making it the world's most stolen painting.

São Paulo Museum of Art (2007)

On December 20, 2007, around five o'clock in the morning, three men invaded the São Paulo Museum of Art and took two paintings, considered to be among the most valuable of the museum: the Portrait of Suzanne Bloch by Pablo Picasso and Cândido Portinari's O lavrador de café. The whole action took about 3 minutes. The paintings, which are listed as Brazilian National Heritage by IPHAN, were recovered by the Brazilian Police on January 8th, 2008. Their estimated value is up to US$ 55 million.

Emile Bührle Foundation in Zurich (2008)

On February 11, 2008, four major impressionist paintings were stolen from the Foundation E.G. Bührle in Zürich, Switzerland. They were Monet’s "Poppy Field at Vetheuil," "Ludovic Lepic and his Daughter" by Edgar Degas, Van Gogh’s "Blooming Chestnut Branches," and Cézanne’s "Boy in the Red Vest." The total worth of the four is estimated at $163 million. Two of the four paintings, Van Gogh's Blossoming Chestnut Branches and Monet's Poppies near Vétheuil, were later recovered in a nearby parked car.

Recovery

The Art Loss Register

(ALR) was formed in 1991 in London by a partnership of leading international auction houses and art trade associations, the insurance industry, and the International Foundation for Art Research. Its shareholders include Christie's, Sotheby's, Bonhams, Phillips de Pury & Company, and others. It is the world's largest database of stolen art and antiques dedicated to their recovery. 2007 saw the foundation of the Association for Research into Crimes against Art

(ARCA). Its Director is Noah Charney, a novelist and a leading expert on the study of art theft; other founding members included the head of Scotland Yard's Arts and Antiquities Squad and several criminologists. ARCA is a nonprofit think tank dedicated principally to raising the profile of art crime (art forgery and vandalism, as well as theft) as an academic subject. It also plans to provide free consulting on the prevention of art theft, among a number of other projects dedicated to the prevention of art theft.
In the public sphere, Interpol, the FBI, London's Metropolitan Police, and a number of other law enforcement agencies worldwide maintain "art squads" dedicated to investigating thefts of this nature and recovering stolen works of art.

Fictional art theft

Genres such as crime fiction often portray fictional art thefts as glamorous or exciting. In literature, a niche of the mystery genre is devoted to art theft and forgery. In film, a caper story usually features complicated heist plots and visually exciting getaway scenes. In many of these movies, the stolen art piece is a MacGuffin.

Literature

Author Iain Pears has a series of novels known as the Art History Mysteries, each of which follows a fictional shady dealing in the art history world.
St. Agatha's Breast by T. C. Van Adler follows an order of monks attempting to track the theft of an early Poussin work.
The Man Who Stole the Mona Lisa by Robert Noah is a historical fiction speculating on the motivations behind the actual theft.
Inca Gold by Clive Cussler is a Dirk Pitt adventure about pre-Columbian art theft.
Author James Twining has written a trio of novels featuring a character called Tom Kirk, who is/was an art thief. The third book, The Gilded Seal is centred around a fictional theft of Da Vinci works, specifically, the Mona Lisa.

Film

In the 1999 remake of The Thomas Crown Affair, the title character is a stylish, debonair playboy who steals art for amusement rather than for the money. (The 1968 Thomas Crown film arranges the theft of cash from banks, not art.)

Once a Thief (1991), directed by John Woo, follows a trio of art-thieves in Hong Kong who stumble across a valuable cursed painting.

In Entrapment (1999), an insurance agent is persuaded to join the world of art theft by an aging master thief.

Ocean's Twelve (2004) involves a competition to steal a Fabergé egg.Further Information

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